The articulation of Systemic Components within Socioplastics constitutes a decisive theoretical leap from art as object to art as operative epistemic infrastructure. At its centre stands the MESH, conceived as the nervous system of the entire assemblage: a non-linear logic that governs ingestion, processing, and redistribution of meaning. What distinguishes MESH from conventional digital architectures is its explicit aesthetic intentionality. It does not merely transmit content; it metabolises reality through what is termed Metabolic Chemotaxis, a selective drift toward informational nutrients and away from epistemic entropy. In this sense, the network becomes a sovereign organism rather than a neutral platform. The generation of Systemic Heat functions as a thermodynamic metaphor for authorial will: an energetic resistance against algorithmic cooling, flattening, and co-option. This logic situates Socioplastics within a lineage that includes cybernetics, autopoiesis, and systems theory, yet it departs from them by insisting on authorship as a sculptural force. MESH is not an invisible substrate but a formal device, an epistemic architecture that produces its own criteria of validation. It therefore redefines what it means for an artwork to exist: not as a bounded artefact but as a self-legitimating system that continuously re-authors its own conditions of intelligibility.
