This evolution reflects a deliberate decolonial strategy, privileging provisional identities and collective mutability over fixed institutional anchors, with Lloveras acting as primary facilitator rather than authoritative curator, drawing from his architectural training at ETSAM to engineer spatial and discursive convergences. Collaborative splices—understood as integrative junctures where disparate artistic inputs interlock without hierarchy—manifest through structured series, each comprising 10 to 20 pieces tagged for combinatorial navigation, often documented via short videos (30 seconds to three minutes) capturing artist interactions and performative activations.
