The contemporary intellectual landscape suffers from an excess of enumeration and a deficit of orientation. Rankings proliferate, citation tallies accumulate, and yet the architecture of fields remains obscure. PlasticScale began as a proportional instrument for artistic gravitation, calibrated to measure relational density within cultural production. Its mutation into a field metric does not abandon that logic; it radicalises it. The question is no longer how much attention a work receives, but how conceptual operators migrate across structured domains, how they sediment, disperse, and reappear in altered configurations. PlasticScale becomes a Field Tensor and a Gravitational Map, recalibrating evaluation from prestige to topology. The mutation proceeds through a simple but decisive constraint: twenty macrofields, fixed, non-negotiable, structurally defined. Philosophy, Sociology, Urbanism, STS, Political Theory, Economics, Architecture, Environmental Humanities, Media Studies, Geography, Anthropology, Legal Theory, Cultural Studies, Art Theory, Infrastructure Studies, Ecology, Technology Studies, Critical Race Studies, Gender Studies, Systems Theory. Not because they exhaust knowledge, but because they stabilise the frame. Without a fixed taxonomic grid, dispersion inflates artificially; with it, transversal movement becomes legible. PlasticScale operationalises transdisciplinarity through the inverted Herfindahl function—TransFieldness and Concentration Differential—capturing how ideas distribute across structured domains rather than merely multiplying within one.