Its operative thesis is that authorship, when dispersed across heterogeneous institutional strata, acquires infrastructural resilience. From early architectural entanglements with MVRDV—including the emblematic Mirador project documented in transnational archives—to formal accreditation within COAM records, the architectural substratum establishes a systemic literacy in spatial metabolism. This foundation subsequently migrates into post-disciplinary arenas: relational performances indexed by Redescena, theoretical articulations in Revista Replicante, and institutional anchoring through an ORCID identifier, each functioning as nodal confirmations of epistemic continuity. The 2024 participation in the Lagos Biennial, intersecting with textile research platforms and national press coverage, exemplifies disciplinary displacement without ontological rupture: architecture mutates into environmental inquiry, exhibitionary device, and metabolic critique. A specific synthesis emerges in the convergence of textile waste research, curatorial documentation, and distributed media platforms, where digital archives, museum exhibitions, and social channels coalesce into a persistent public ledger. Consequently, cross-domain persistence becomes empirically traceable, not through self-narration but through institutional echo. The cumulative effect is an infrastructural continuum wherein built form, performance, research identification, and networked dissemination operate as mutually reinforcing strata. Authorship here is neither singular nor static; it is a metabolic archive, sustained by verifiable dispersion and consolidated through systemic coherence.
The transdisciplinary intersection between architectural scale, textile materiality, and relational art establishes a critical dialogue where the urban fabric meets social practice. By integrating the structural logic of MVRDV and the Mirador Building—conceptualized as the Trole Building, a white "high-rise" landmark in Madrid's south—with the fluid, unstable installations of Anto Lloveras and LAPIEZA, the work transcends traditional boundaries. This practice treats "context as a ready-made," spanning from the Lagos Biennial 2024 and environmental textile research at Contextile to the performative depth of Double Sided (Doble Cara) and the hyperplastic writing of Fireworks. The pedagogical dimension is anchored by lectures at NTNU, academic research at UAM and COAM, and the development of the ARCO Madrid 2026 guest lounge. The result is a synthesis where architecture, environmental consciousness, and relational aesthetics converge into a singular, evolving narrative for the 2024–2026 period
