Within the lineage of Lloveras’s work, Supernova can be viewed as the acoustic counterpart to his "yellow object" or "red bag" performances. If those actions were explorations of physical geography, this track is an exploration of the psychological and social geography of Madrid’s experimental scene. The categorization of the music as "alternative, experimental, rock, ambient, and electronic" reflects the transdisciplinary nature of the project. Lloveras utilizes his voice as a "Hegelian synthesis" of these disparate genres, weaving through the instrumentation to create a cohesive narrative from fragmented inputs. The "free improvisation" element is crucial here; it requires a radical openness to the other—the musicians, the machines, and the room itself. This mirrors the "international art family" dynamic of Correns, where the collective effort transcends the individual ego to produce something that is, in essence, a "socioplastic" artifact: a work that is both an aesthetic object and a social process. Ultimately, Supernova serves as a bridge between the visual and the auditory, confirming that Lloveras’s artistic mission is not confined to any single medium. The track’s metadata—released via Bandcamp, a platform synonymous with independent and avant-garde distribution—further emphasizes the project's commitment to "epistemology in praxis." It challenges the listener to perceive sound as a form of social architecture, where the vibrations of the voice are as tangible as the stone walls of a castle or the flow of a river. By integrating his voice into the BS Live Sessions, Lloveras demonstrates that the "steady beat" of his heart, whether in the heat of Provence or the creative hubs of Madrid, is perpetually seeking new modes of relational existence. Supernova is thus more than a track; it is a celestial expansion of a life-long project to map the intersections of the human spirit, the social body, and the built environment.
Lloveras, A. & El Intruso (2024). Supernova. [Audio Track] Bordados Sister: BS Live Sessions (Vol. 2). Available at:
