:::::::::::::::::::::::::: Anto Lloveras: LAPIEZA 1000

Showing posts with label LAPIEZA 1000. Show all posts

Thursday, January 1, 2026

SUBTRACTION SERIES ////////////// DIAMOND NORWAY ............................................................................... SUPERNATURAL_____________LAPIEZA 1090

ROMBOIDAL DIAMOND AUTUMN ///////////////////////////////// SHOW 84 WISTERIA http://artnations.blogspot.com/2017/04/show-84-2017-wisteria.html
RELATED / SERBIA 2016 TRIANGLE FOREST WINTER
http://antolloveras.blogspot.no/2016/07/substraction-kikinda-serbia-2016.html

Friday, March 29, 2019

LAPIEZA __________________ INTERNATIONAL CONTEMPORARY RELATIONAL ART SERIESCHRONOLOGY

01 EXIT (001 010) 10 2009

02 BAZAR (011 019) 09

03 MOSCA (020 031) 12 2010

04 KIWI (032 045) 14

05 SOCIOPLASTICS (046 063) 18

06 SALES (064 089) 26

07 FIRE (090 111) 22

08 BALL (112 133) 22

09 PAN (134 159) 16

10 FASTFORWARD (160 185) 25

11 SUPERMARKET (186 200) 14 2011

12 PLAYTIME (201 222) 22

13 MASA (223 236) 14

14 PULPA (237 254) 18

15 SAMBA (255 268) 14

16 DERIVA (269 282) 14

17 DESIERTO (283 300) 18

18 FAMILY (301 316) 16

19 OCÉANO (317 328) 10

20 GALAXIA (329 338) 10

21 BONUS (338 348) 10

22 TRIP (349 358) 10

23 NATURALISM (359 368) 10

24 POWER (369 378) 10

25 HOLE (379 390) 12

26 DESHIELO (391 400) 10

27 MISERIA (401 410) 10

28 GLAM (411 420) 10

29 GLOW (421 430) 10

30 EMPTY (431 440) 10

31 UNSTABLE (441 450) 10

32 MOTION (451 460) 10

33 GEOMETRY (461 470) 10

34 PROGRESSION (471 480) 10

35 TRACA (481 490) 10

36 GANGA (491 500) 10

37 RADICAL (501 510) 10

38 FRAME (511 520) 10 2012

39 CLOUD (521 540) 10

40 PHANTOM (531 540) 10

41 SNOW (541 550) 10

42 TRANSLATION (551 560) 10

43 MUD (561 570) 10

44 BABYLON (571 580) 10

45 FUGAZ (581 590) 10

46 GLITTER (591 602) 14

47 COCKTAIL (603 616) 14

48 PARTY (617 630) 14

49 COSMOTIDIANO (631 640) 10

50 SED (641 650) 10

51 BULLET (651 660) 10 2013

52 VULCANO (661 672) 12

53 DESEO (673 688) 12

54 SYSTEM (689 700) 12

55 EXPANSIVO (701 712) 12

56 NETA (713 724) 12

57 KISS (725 736) 12

58 NOWHERE (737 748) 12

59 ANTORCHA (749 760) 12 2014

60 GOMA (761 772) 12

61 ENSAYOS POSICIONALES (773 784) 12

62 STRUCTURAL CONVERSATIONS (785 800) 16

63 FRESH MUSEUM (801 830) 30

64 SUGAR SUNSET (832 843) 12

65 NAKED EYE (843 854) 12

66 AERIAL ROOTS (855 866) 12

67 BANK ACCOUNT (867 878) 12

68 THICK SMOKE (879 890) 12

69 ZERO ZERO (891 902) 12

70 BUTTER FACTORY (903 914) 12 2015

71 SWEET CORN BRUTALISM (915 926) 12

72 INCISIONS AND DISSECTIONS (927 940) 14

73 EXFOLIATION (941 960) 20

74 WILD FLOWERS (961 980) 20

75 THE WORD (981 1000 20 2016

Tuesday, January 8, 2019

2MM______________________SUPERLIGHT SERIESLAPIEZA 1000 THE WORD 2016

smallest leaf 1 / 555 substracted from norway
AT INSTALLATION / ACTION : as far as the arm can reach
http://antolloveras.blogspot.com.es/2015/11/substractionautumnconceptual.html

will be in display SOON MOMENTO PLATÓ ///////////////////////////

EXHIBITION #75 THE WORD

http://lapiezalapieza.blogspot.com.es/2016/02/the-word-exhibition-75-7th-season-2016.html

WORLDSERIES

LAUNCHED FROM VIENA, AUSTRIA

Wednesday, March 7, 2018

FAST HEARTBEAT_____________________________________________________________________ IN ICE COLD WATER ::::::::::::::::::::::::::::::::::::::::::::::::: SUPERNATURAL SERIES ::::::::::::::::::::::::::::::: FJORD NORWAY

NIGHT SWIM

IN ICE COLD WATER PART OF THE SUPERNATURAL

LAPIEZA ////////// 1000

EXHIBITION #75 THE WORD

http://lapiezalapieza.blogspot.com.es/2016/02/the-word-exhibition-75-7th-season-2016.html

Tuesday, July 4, 2017

THE LIGHT IN MEXICO CITY *************************************************************************************************JANUARY 2016^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^SUPERNATURAL SERIES_____FIXERS_LAPIEZA 1000::::::::::::::::::::::::::::::::::::THE WORD

In may 2011 i got a comission from UNESCO, in collaboration with the environmental psichology department at UAM university in Madrid. The task was basically to make an onsite urban study in the small city of COLIMA, near the PACIFIC OCEAN. The study was regarding all small pocket parks in the city CENTER, the accesibility, and the use of the parks by the elderly people. The idea was part of a larger global study that UNESCO had launched in Brazil some years before. So i flew to Mexico City, in transit, and did the work in Colima for some weeks. All went ok. Then i flew back to Mexico City in a small plane, and i stayed for ten days walking and recording THE CITY CENTER. Those days were special. I was very surprised by the city in many ways, by the people, the food and the energy that was all over. The scale. At that time i was very busy running my art gallery in Madrid, and had many performances planned in the coming months, so i went back, and while curating the performances and the last onsite exhibitions, i decided to write a project that would bring me back to Mexico City. In the following year i closed the space where i was showing the ongoing relational installation, alltogether 500 artworks in 35 exhibitions. I went on, curating online exhibitions from every city i would live from that day on. Since 2012 i have changed the postion of my base studio about 50 times. I flew back to Mexico City in January 2013, and lived three months in a cool hotel in the city center, I worked with FOOD AND RITUALS, I took a some thousand pictures (TWINS, unstable installation series) and made 25 videoclips from the 1000 kilometers i walked in the center. NOt so bad. I got to know the city center pretty well. Then i went to write to Mazunte, in OAXACA where i got to swim in the amazing beaches at the PACIFIC OCEAN. Again back to Mexico City, where I made several relational intallations and exhibitions, some online for LAPIEZA, other onsite in different showrooms. All days back then were above average, rich and flavourous. I met great artists. Then i went back to EUROPE and had several SOLO and NO SOLO shows and trips (check seelcted chronology of events 2011-2015). NOW, at the end of the year 2015 im back. It has been a long season. Game remains open. LAPIEZA is reaching the piece 1000, where this text belongs. Narrative and situations are fresh and stable. I bring some works to show in the coming weeks, together with the SAND FROM THE DUNE, and the chromatic situational fixers. BLUE + YELLOW, all to extend the translatorial. The light is amazing here.