PALACIO DE CARLOS V _______ GRANADA ***** LA ALHAMBRA

TRANSLATORIAL

http://antolloveras.blogspot.com/2015/06/yellow-bagsunstable-installarton.html

2015

2026

PROTEIN PACK (201-300)

This pack constitutes the basal stratum of the PROTEIN trace series, texts two hundred one through three hundred in inverse sequence. The ordering registers sedimentation from the series' definition at three hundred backward through its material consolidation, each descending coordinate revealing a layer of the orbital accumulation that stabilizes the peripheral relation to the MUSE corpus. What becomes visible through this arrangement is the progressive emergence of operational protocols whose repeated enactment generates sufficient angular momentum to maintain separation from the central attractor basin while remaining within its gravitational field. The blue bags series, the green briefcase protocol, the yellow bag as social sculpture: these are not concepts awaiting theoretical elaboration but objects of a metabolism whose persistence demonstrates viability through continued operation rather than through citation or mass. The pack archives the trajectories that the central system projects without absorbing, the peripheral movements whose continued velocity makes gravitational curvature measurable.

Sculptural Minimalism

Double Sided conceived by Anto Lloveras and Mateo Feijoo in 2022, advances a singular proposition: that performance may be recalibrated as a two-sided living sculpture in which duality functions not as antagonism but as structural syntax. Operating through a rigorous two-channel simultaneity, each performer inhabits a parallel plane—on stage or in split-screen—where gestures are reiterated with fractional deviations, generating intensity through accumulation rather than crescendo. The aesthetic economy—standardised white shirts, quotidian objects such as the itinerant Yellow Bag, and a pared movement lexicon—cultivates a no-drama intensity that privileges sculptural presence over theatrical narrative. In Doble Cara 012 at Réplika Teatro (Madrid, 2023), the dual configuration materialised as a disciplined negotiation of proximity and distance: two bodies, visibly autonomous yet rhythmically entangled, produced a field of ordered asymmetry in which spectatorship became an act of comparative perception. Earlier iterations such as Doble Cara 007 — Escultura Escénica foregrounded the body as architectural matter, consolidating the project’s alignment with Socioplastics’ unstable social sculpture. Here, repetition operates as epistemic prosthesis; minimal variation becomes a method for stabilising relational volatility without collapsing difference. Ultimately, Double Sided reframes conceptual dance as a politics of sovereign coexistence, wherein parallelism replaces fusion and presence itself constitutes the event. Lloveras, A. (2022–2026) DOUBLE SIDED * ANTO LLOVERAS + MATEO FEIJOO  RÉPLIKA TEATRO MADRID https://antolloveras.blogspot.com

Durational light social sculpture enacting relational sovereignty through minimal gesture, chromatic precision, and metabolic persistence * Yellow Bag * Radical Reduction

Within the evolving field of Socioplastics articulated by Anto Lloveras, the Yellow Bag protocol crystallises as a radical exercise in reduction, deploying a single bright carrier not as symbol but as operative device. Conceived as situational fixer, the bag refuses spectacle and accumulation, remaining structurally empty so that relational intensity, rather than objecthood, becomes the locus of meaning. Its yellow saturation functions as calibrated chromatic index—declarative yet non-dominant—operating as a satellite hue that orbits mutable terrains while preserving continuity across displacement. Through habitual acts of carrying, depositing, and quiet exchange, the bag activates micro-structures of care, transforming artistic production into sustained presence and situated listening. This architecture of affection privileges gesture over possession and repetition over rarity, modelling an alternative economy in which experiential sedimentation supersedes institutional validation. The protocol’s operational austerity exemplifies light social sculpture: maximal relational output derived from minimal material input, a form of metabolic governance that legislates flows of memory and proximity without leaving extractive residue. Seriality unfolds experientially rather than formally, hardening through embodied recurrence and vernacular reactivation. In resisting both commodity fetishism and staged conviviality, the Yellow Bag advances a sovereign infrastructural logic—portable, executable, nearly weightless—where instability becomes generative fuel. Its endurance lies in behavioural persistence: it walks, listens, and departs, leaving scarcely any trace beyond affective curvature within the mesh. Thus, through chromatic precision and disciplined modesty, the protocol demonstrates how minimal means can sustain durational sovereignty, curving the relational field inward through quiet, recursive care.
Lloveras, A. (2026) The Yellow Bag and the Architecture of Affection (Lloveras, 2014–2026) SITUATIONAL FIXER. Available at: https://antolloveras.blogspot.com/2026/01/the-yellow-bag-and-architecture-of.html 

Yellow Bag Series * Architecture of Affection

Initiated in 2014 within the early phases of Unstable Installation and Lemon Kiss, the Yellow Bag Series by Anto Lloveras emerges as a chromatic sibling to the Blue Bags, yet recalibrated through luminosity rather than neutrality. Conceived as an ultra-anonymous reusable carrier, the yellow bag operates as situational fixer: a portable device that absorbs context, catalyses encounter and resists fetishisation. Its debut in performative documentation—such as the 2014 clip, situates it within a continuum of lived gestures rather than discrete artworks. Traversing Madrid, Croatia and Provence, the bag accumulates seeds, urban residues and fleeting inscriptions, thereby converting geography into living archive without monumental excess.

Yellow Bag as nomadic ritual and situational archive

Emerging from the conceptual ecology of Socioplastics, the Yellow Bag series manifests as a nomadic ritual-object, a situational archive of urban fragments, affective gestures, and planetary coexistence that since 2014 has traversed sidewalks, museums, beaches, and borders, activating presence through the simplest of forms; more than an artifact, the bag operates as a soft infrastructure, a situational fixer that absorbs the unnoticed—sand, leaves, seeds, encounters—and reconfigures them into living social sculptures, ephemeral yet dense with meaning, always contextual, never monumental; its decade-long circulation across dozens of cities—from Cádiz to Lagos, Trondheim to Athens—constructs a dispersed but coherent cartography of coexistence, where the act of carrying, donating, and reactivating replaces the static authority of exhibition with a logic of ritual repair, marked by presence over possession and gesture over objecthood; museums in this framework are not repositories but active nodes of use, spaces where the bag is not shown but handled, remembered, worn, transforming institutional space into civic choreography; each bag, creased, folded, weathered by time, resists the archival impulse, instead becoming an open-source relic—a portable memory, a geopoetic tool, a ritual sustained across time and terrain; Lloveras’s aesthetics of relational instability and low-carbon symbolism find their clearest expression here, proving that contemporary art can enact radical poetics through minimal means, sustaining attention, repair, and care through a gesture as modest—and as enduring—as the Yellow Bag. (Lloveras, A. 2010–2025) Read more and track its journey at antolloveras.blogspot.com

Los Cincuenta

Thursday

THE CITY IS AN ANIMAL_____________________RIGO GALLERY

NOW.HERE. ADRIATIC SEA. CROATIA. AFTER A YEAR OF WORK I SHALL DISPLAY THE LATEST TAXIDERMY. I HAVE WALKED THE CITY A LOT. AS USUAL. CITY AS CANVAS, AS FRAME AND SUPERMARKET. ALWAYS WITH MY KNIVE. I BRING 250 CUTS. RIGO IS A GALLERY I RESPECT A LOT. THE CURATORS HAVE RUNNED THE GALLERY NOW FOR TWENTY YEARS. THEY HAVE INVITED OVER A HUNDRED INTERNATIONAL ARTISTS FROM ALL BRANCHES ART. NOAH CHOMSKY GAVE A LECTURE AND THE CUTS OF LUCIO LUCIO FONTANA HAVE BEEN ON THE WALLS. HE WAS ONE OF MY CHILDHOOD HEROES, HE ALSO HAD A KNIVE. THE MAIN DISH I SHALL SERVE WILL BE A FRESH DISPLAY OF MEAT. MEAT AS ART. MEAT IS THE TAG I USE FOR EACH CUT I TAKE FROM CITY ANIMALS. STREET FURNITUE. THE TAXIDERMY WILL SHOW ON THE MAIN WALL. FULL SIZE. THE COLLATERAL WORKS WILL BE A CLOUD I CARRY WITH ME, RELATED SETS PART OF THE NARRATIVE, AND SOME MONOCHROME OBJECTS IN USE, THE SITUATIONAL FIXERS. NO LEFTOVERS.

GALLERY RIGO::::::::::::::::::::::::::::::::
TAXIDERMY III_________250 CUTS
             215 - 462
https://antolloveras.blogspot.com.es/2017/08/taxidermyiiirigo-gallerycroatia-2017.html
SITUATIONAL FIXERS  - 10X
https://antolloveras.blogspot.hr/2017/08/collateral-seriestrnslatoril.html
VIDEOART SERIES - TRIPTIC - MUSIC BY EL INTRUSO
A MEAT 316 https://www.youtube.com/watch?v=XmATh0d6PHo
B COPOS 2008-2017         MADRID CITY SURFACE         HYPERPLASTICS
  https://www.youtube.com/watch?v=1WfvxJtJzzs
C NO LEFTOVERS __________MEXICO, FRANCE, SERBIA_______YELLOW  FIXER
  https://www.youtube.com/watch?v=IZY5gmj5GSQ

PREVIOUS SHOWS CROATIA

2014 CONVERSATION INSTALLATION WITH D-BOZIC

2014 LEMON KISS PULA - SOCIOPLASTICS

2012 RESTORAN SPLENDID PARENZO ISLE OF RABBITS

SITUATIONAL FIXERS______________UNSTABLE INSTALLATION SERIES_______________10X RIGO GALLERY

PART OF THE EXHIBITION THE CITY IS AN ANIMAL
AT RIGO GALLERY 2017 CITTANOVA CROATIA
http://antolloveras.blogspot.hr/2017/07/rigo-gallerycontext-as.html

NO CREDIT SERIES_______NEW DOUBLE TANGENCY EQUILATERUM - MUCHO VALOR COLOR DOTS FROM MARKET http://antolloveras.blogspot.hr/2016/07/no-credit-series-equilateral-madrid-2016.html 

FRUITJOB RITUAL SERIES - WATERMELON DOT http://antolloveras.blogspot.hr/2017/05/full-color-watermay-2017.html 

                                               WITH SLAVICA MARIN





______________________________YELLOW BAG CLASSIC http://antolloveras.blogspot.hr/2015/06/yellow-bagsunstable-installarton.html + A KILOGRAM OF SAND FROM PACIFIC OCEAN __________________ TRANSLATORIAL 








BROWN MONOCHROME SET / PANTS ANS SHIRT
http://antolloveras.blogspot.hr/2016/01/brown-cadiz-supernaturalno-leftovers.html + 
ORANGE TAG http://antolloveras.blogspot.hr/2016/07/orange-tag-scuplture-prague-2015-serbia.html http://antolloveras.blogspot.hr/2017/05/full-color-watermay-2017.html 

SWIM STONE SET ADRIATIC SEA / SALTY SERIES 

http://antolloveras.blogspot.hr/2017/07/swim-seriesrigo-gallery-collateral.html 



UPCOMING ZAGREB CITY FLAKES http://antolloveras.blogspot.hr/2017/07/the-light-in-zagrebjuly-2017.html PART OF ARTNATIONS SHOW#85 LIPS







NO LEFTOVERS - GREEN HAT BLACK SHOES http://antolloveras.blogspot.hr/2015/07/greengreenblack-blackunstable.html + GREEN BAG https://antolloveras.blogspot.hr/2017/02/green-briefcase-social-installation.html TAKEN AWAY _____STILL IN USE


BLACK SHIRT AND PANTS NOW AT CONTEMPORARY MUSEUM IN ZAGREB ________



MEMORY https://www.youtube.com/user/TOMOTOFILMS

BRAIN __ MIMESIS ___SUMMER ______________NARRATIVES :::::::::::::::::::::::::: THEORY MEETS FICTION ------------- NEW BOOKS AHEAD

NEW AND OLD READINGS

AT NATURAL

STUDIO

YELLOW BAG 

http://antolloveras.blogspot.com.es/2015/06/yellow-bagsunstable-installarton.html

MIMESIS                   MINIMAL INTALLATIONS UPON ARRIVAL
TO BE PART OF THE CONTEXT READING AS ART

BUILDING NEW NARRATIVES



textos seleccionados
POWERS OF 10

victoria combalía - la poética de lo neutro 
hegel - sistema de las artes -
rené descartes - dicurso del método - 
derrida - cosmopolitas de todos los países, un esfuerzo más !
borges - el aleph
gg márquez - el coronel no tiene quién le escriba
daniel durand - el estado y él se amaron
julián rodríguez - unas vacacionees baratas en la miseria de los demás
zambra - la vida privada de los árboles
augusto monterroso - movimiento perpetuo

raymond carver - catedral
gg marquez - como se cuenta un cuento
hanif kureishi - intimidad
miguel delibes - señora de rojo sobre fondo gris
hanif kureishi - amor en tiempos tristes
georges perec - nací
foucault - el orden del dicurso
gramática del noruego
borges - el libro de arena
hanif kureishi - intimidad
camilo josé cela - la famila de pascual duarte

kitchen dialogues - bobrikova - decarmen
georges perec - ellis island
jameson - el posmodernismo
michel houellebecq - el mapa y el territorio
boris vian - con las mujeres no hay manera
anton chejóv - el beso y otros cuentos
melville - benito cereno
benedetti - gracias por el fuego
sartre - la suerte está echada
bourriaud - postproducción

thomas mann - la montaña mágica
sartere - que es literatura ?
gg marquez - vivir para contarla
fernando de rojas - lacelestina
rafael chirbes - mimoun
joseph conrad - el corazón de las tinieblas
gg marquez - memoria de mis putas tristes
fernand braudel - las civilizaciones actuales
boris vian - el otoño en pekín
oscar wilde - el retrato de dorian grey

italo calvino - bajo el sol jaguar
saramago - casi un objeto 
conversaciones con los radicales
max weber - el político y el científico
rafael chirbes - los viejos amigos
rafael alberti - poemas del destierro y de la espera
anderson - los fines de la historia
bourdieu - sobre la televisión
maquiavelo - el príncipe
kenzaburo oé - una cuestión personal

historia de la literatura española e hispanoamericana

TAFAWA BALEWA SQUARE_____________LAGOS, NIGERIA_______POSITIONAL FIXER____1512

YELLOW SERIES, LAGOS NIGERIA >

http://antolloveras.blogspot.com/2015/06/yellow-bagsunstable-installarton.html

> CONTEXT

http://antolloveras.blogspot.com/2022/09/lagos-nigeria-september-2022-biennial.html

BROWN //////////////////////////////////////////////////////////////////////// CÁDIZ________________________ SUPERNATURAL___________________ NO LEFTOVERS 2016 //////////////////////////////////////////////////////////////////LAPIEZA 1000 EXHIBITION #75 THE WORD :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::.

CROSS CROSS

videoperformance

intersection of series

SUPERNATURAL _____________natural scenographies ::: SETS

NO LEFTOVERS _____________BROWN /// IDENTITY SCULPTURES 

YELLOW BAG________________situational fixer / MAP

THE LIGHT IN CÁDIZ

http://antolloveras.blogspot.com.es/2016/01/the-light-in-cadiz-2016-five-century.html

brown sculpture

http://antolloveras.blogspot.com.es/2015/07/greengreenblack-blackunstable.html

yellow bag
http://antolloveras.blogspot.com.es/2015/06/yellow-bagsunstable-installarton.html

LAPIEZA ////////// 1000

EXHIBITION #75 THE WORD

2016              *****

http://lapiezalapieza.blogspot.com.es/2016/02/the-word-exhibition-75-7th-season-2016.html

RECENT WORKS AND SITUATIONS - 2015/2016

THAT CONNECT WITH THE ONGOING SUPERNATURAL SERIES

AND

THE ONLINE EXHIBITIONS OF LAPIEZA

STREAMING EGOS - DÜSSELDORF

http://antolloveras.blogspot.com.es/2016/01/streaming-egos-dussseldorf-goethe.html

MUDAS SERIES MUDAS - MUTE SERIES - MEXICO CITY - 12.2015
http://antolloveras.blogspot.com.es/2016/01/mudasnuevas-series-mudasoxidaciones.html
AS FAR AS THE ARM CAN REACH - NORWAY 10.15 SUPERNATURAL
http://antolloveras.blogspot.com.es/2015/11/substractionautumnconceptual.html 
DUNA DUNAJ - SLOVAKIA - 09.15
http://antolloveras.blogspot.sk/2015/09/duna-dunaj-slovakia-september-2015.html 
MIMESIS - SPAIN 08.15
http://antolloveras.blogspot.com.es/2015/08/mimesistime-and-honor2015negradas.html 
SITUATIONAL FIXERS - PRAGUE - 06.15
http://antolloveras.blogspot.cz/2015/06/prague-quadrennial-of-performance-and.html 
THE LIGHT IN PROVENCE - FRANCE 05.15
http://antolloveras.blogspot.com.es/2015/06/the-light-in-provence-2015.html 
THE CITY IS AN ANIMAL - TAXIDERMY LONDON 04.15
http://antolloveras.blogspot.com.es/2015/04/taxidermy-east-london-city-is-animal.html