In the ongoing Supernatural series, Anto Lloveras utilizes the architectural skin of Cádiz as a "recently activated" canvas for the installation of 12 Tagarninas—a project that harmonizes local wild food with ritualistic performance. By arranging these indigenous plants in a circular formation, specifically defined by the physical reach of the artist’s arm, Lloveras creates a temporary altar that bridges the gap between the mundane act of eating and the sacred act of display. This "Wall Ritual" is not intended for permanence; it operates on the principle of "No Leftovers," where the sequence—Take Display, Picture, Cook, Eat, Post—transforms the artwork from a visual object into a biological one. Drawing conceptual lineage from aboriginal Mexican food rituals and his own "As Far as the Arm Can Reach" sub-series, Lloveras recontextualizes the tagarnina as a symbol of regional identity and ephemeral beauty, proving that socioplastics can be both visually arresting and literally digestible.
