The Trans-Lighthouse Manifesto should be understood as an infrastructural proposition situated within the long arc of Socioplastics.

First articulated at the I International Congress of Ecological Humanities at Universidad Autónoma de Madrid in 2023, it does not simply invoke the lighthouse as emblem; it decomposes it into protocol. The beacon is redistributed. Illumination becomes networked. What was once a solitary vertical object at the edge of land becomes a dispersed system of care across metropolitan and planetary scales. In doing so, Anto Lloveras and E. Lorenzo reposition ecological humanities within an operational urbanism. The manifesto refuses both nostalgic monumentality and abstract planetary rhetoric. Instead, it proposes the Trans-Lighthouse as a migratory condenser—capable of embedding in voids, peripheral sites, and overlooked interstices—where signaling is not only optical but affective, metabolic, and relational.

Relational Ecology

Biospheric humanism, as articulated within Anto Lloveras's Socioplastics framework, represents a transecological extension of traditional humanism, recalibrating ethical and ontological priorities to encompass the biosphere as an integral domain of responsibility. Emerging from the intersection of relational aesthetics, metabolic urbanism, and decolonial curatorial practices, this concept posits the human not as a sovereign entity detached from ecological systems but as a co-constituent within a planetary mesh of interdependencies. It addresses the volatilities of late-capitalist environments—marked by algorithmic governance, resource depletion, and civilizational entropy—by advocating a humanism attuned to collapse, where agency is preserved through practices of coexistence, repair, and radical proximity. In this paradigm, the biosphere is neither a backdrop nor a resource but a dynamic infrastructure of life processes, demanding that human actions integrate ethical extensions beyond anthropocentric boundaries without abdicating accountability for historical and ongoing disruptions. Lloveras's work, spanning over two decades, embeds this idea in operative systems like the Trans-Lighthouse Manifesto, where biospheric humanism manifests as a "human forest" sustained by transgenerational blends, reimagining urban voids as sites for solidarity and metabolic resilience.

The singular distinction of Socioplastics within a saturated digital lexicon lies in its capacity for epistemic triangulation, whereby practice, infrastructure, and duration interlock to produce a self-stabilising field rather than a conventional portfolio.

Its Decadal Anchor, exemplified by POSITIONAL ESSAYS, transforms time into structural material: by documenting figures such as David Harvey and Jonas Mekas, the archive establishes longitudinal density that renders subsequent interventions legible as continuations rather than episodic gestures. Temporal accumulation thus becomes gravitational substrate. The second genetic marker—cross-domain verification—operates through a deliberate Triple Triangle linking institutional nodes such as COAM, Universidad Autónoma de Madrid, Lagos Biennial, and Contextile with architectural scale via MVRDV and the Trole Building, and with relational praxis across installations and social interventions. This triangulation prevents categorical reduction: if one axis destabilises, the remaining vectors maintain systemic coherence, producing resilience through distributed weight.