Fireworks as Hyperplastic Writing * Socioplastics, Archive, and the Self-Representing Form

Fuegos | Fireworks constitutes one of Anto Lloveras’s most conceptually saturated projects, articulating drawing as a hyperplastic system in which gesture, archive, and circulation converge into a single socio-aesthetic organism. Originating in the minimal act of an automatic tag, the work expands into a vast serial ecology of marks, substrates, and reconfigurations where the line operates simultaneously as event, trace, and memory. Lloveras’s mobilisation of “paper memory”—tickets, invoices, packaging, bureaucratic residues, fragments of cultural production—installs drawing upon the sedimented temporality of industrial and administrative life. Each mark thus bears a double inscription: the anonymous temporality of capitalist production embedded in its support, and the intimate immediacy of the artist’s automatic gesture.