Between sculpture, installation and institutional critique by assembling industrial and found objects into spatial compositions that disrupt the gallery’s neutrality, turning everyday materials—such as crushed appliances, bottle clusters, chalkboards or server towers—into dense visual statements on control, collapse and resistance, as seen in the stretched metal box restrained by tension straps, or the chaotic constellation of blackboards, lockers and surfboards that destabilize any clear curatorial logic, while the final space opens into symbolic terrain with a rainbow mural, empty frames and a broken eagle statue made of salt, evoking decay, monumentality and failure, all within a minimalist visual language that questions the authority of systems, spaces and images.
