Captured in the raw, performative atmosphere of the CCH Sierra Norte in 2012, these clips document the inaugural activation of Cosmotidiano. Far from a static recording, this video series functions as a socioplastic archive, where the "blitz" of direct action meets the sensory density of the installation. In these fragments, the collaborative friction of Eduardo Cajal, Hectruso, Tomoto, and Regina Fiz becomes visible: the manipulation of straw, the ritual of the citrus, and the spatial displacement of the body. Each clip is a positional essay in motion—a document of "Life in Transit" where the camera becomes an extension of the body-machine, inhaling the ephemeral architecture of the trench and the soft tectonics of the collective habitat. This is the "metamovie" in its most primal state: unstable, rhythmic, and deeply rooted in the relational reality of LAPIEZA Art Series #49.

