Upon arrival I walk the area recording the streets and visiting the market under the blazing sun with packed beaches and high season fervor, each swim yielding a collected stone that becomes a trophy for the gallery in the Natural Series, a performative documentation echoed in the videos you shared (including reflections on urban texture, social choreography, and embodied observation) and linked to past conceptual work like the Conversation Installation with Danino Božić at Zuccato Palace in 2014 and the recent Conversational Shelter Minimal Sculpture, all of which weave a thread of lived experience into artistic inquiry as I traverse territory and time gathering not just objects but the rhythms of place and presence into a singular body of work that dissolves the boundary between documentation and sculpture redefining how we archive movement, encounters, gestures, and chance into a cohesive practice where every link and field note becomes a shard of meaning to be polished into the overarching narrative of an artist in motion, accumulating stone and signal alike, resonating with the collateral series ethos of finding value in the incidental and everyday and situating it within a continuum of conceptual engagements that span markets, beaches, palaces, shelters and the intangible textures of conversation and place (Lloveras 2017; Lloveras 2014; Lloveras 2026).
