SOCIOPLASTICS * Verified Data (2001–2026)

Across a temporal arc extending from 2001 to 2026, SOCIOPLASTICS has not been proclaimed into existence; it has been sedimented. Its coherence derives from longitudinal persistence—800 corpus texts, stratified PROTEIN packs, console writings with DOI assignment—and from an expanding constellation of 300 exhibitions, installations and pedagogical dispositifs initiated through LAPIEZA. This discursive and operational density is reinforced by the relational archive Positional Essays (2008–2018), wherein over one hundred agents—including figures such as David Harvey and Jonas Mekas—were documented as embodied interlocutors, transforming theory into filmed encounter. Visual production amplifies this persistence: 30,000 micro-temporal cuts in the COPOS series, 20,000 double photographs in Twins, and more than 1,000 videos establish a regime of micro-iteration through which perception itself becomes infrastructural. External validation nodes—ranging from Lagos Biennial to Acción Cultural Española and the Colegio Oficial de Arquitectos de Madrid—function not as endorsements but as distributed verification layers across nine countries and six disciplines. Text 800, explicitly engaging Lefebvre, Castells and Sassen among others, crystallises the thesis that fields stabilise through accumulation rather than declaration, thereby establishing a gravitational model of intellectual mass. The result is neither portfolio nor archive in the conventional sense, but a detectable curvature within the epistemic field. SOCIOPLASTICS is thus fixed—not as closure, but as a structurally stabilised platform from which the forthcoming territorial stratum will necessarily unfold.

1. Temporal Arc

• Twenty-five years of continuous practice (2001–2026)

• Active documentation across four decades: 2000s, 2010s, 2020s

• Longitudinal persistence verified by external records in each decade

2. Textual Production

• 800 texts in the SOCIOPLASTICS central corpus

• 100 texts per PROTEIN pack (001–100, 101–200, 201–300)

• 10 console texts (500–520) with DOI assignment

• 8 century packs (100–800) stratifying conceptual development

• 100+ named agents documented in Cuerpos Filmados relational archive

• 300+ international exhibitions, installations, and pedagogical projects as founder of LAPIEZA (since 2009)

3. Visual Production

• 30,000 video cuts in the Copos series (1–5 seconds each)

• 20,000 double photographs in the Twins series

• 1,000+ total videos across all series

• 500 videos in the COPOS series alone

4. Relational Archive: Cuerpos Filmados (2008–2018)

• 100+ filmed agents including:

  • David Harvey (Museo Reina Sofía, Madrid, 2009)

  • Jonas Mekas (Filmoteca Nacional, Mexico, 2013)

  • Antoni Miralda

  • Remedios Zafra (CREP)

  • José Antonio Corraliza (Environmental Psychology)

  • César Martínez Silva (Anthropophagia Gourmet, Mexico DF)

  • Elise Plain

  • Duquende, Miguel El Rubio, Manuel Molina (flamenco, Casa Patas, Madrid)

  • Iñaki Ábalos (Congreso Arquitectos, 2009)

  • Luis Fernández Galiano (Congreso Arquitectos, 2009)

  • Zaida Muxí (Barcelona)

  • Fernando Broncano (CREP)

  • Juan Freire

  • Fredrik Lund (The Woodway, Trondheim, 2008)

  • Tony Fretton (NTNU, Trondheim, 2008)

  • Studio Fredrik Lund collaborators

  • Basurama collective (Madrid, Santo Domingo, Miami)

  • Limber Vilorio (Santo Domingo)

  • Ben Castro (Basurama, Santo Domingo, 2011)

  • Kira O'Reilly (performance seminar)

  • Manuel Maqueda

  • Niko (stickers)

  • Barullo (Casa Patas)

  • Tomeu Vidal (Barcelona)

  • Ajo (micropoetisa, Nudo Teatro)

  • Peru Saizprez (Hiperversos, 2009)

  • Javi Guzmán (Hypnotic Bass, El Intruso)

  • Pablo Schugurensky (El Oficio, Bustarviejo, 2009)

  • Yaky Bonacic Doric (Héroes, Madrid)

  • Esther Revuelta (Madrid)

  • Manuel Monteserín con María Mallo (LAPIEZA, 2009)

  • Claudia Faci (Autoroc, acción perfopoética)

  • Raquel Moreno (Vestido Manibra, LAPIEZA, 2010)

  • Juan Barte (Art Meets Fashion, LAPIEZA)

  • José Sáinz (Cohete, escultura)

  • Juan Ramírez (bailaor, Casa Patas)

  • Daniel Dixon (Autumnalia, campos sonoros)

  • Juan Andrés Maya (bailaor)

  • Miguel Guzmán Pastor (improvisación, LAPIEZA)

  • Ángela León (plantas en la fachada)

  • Alfonso García del Rey (Pop POCORN, LAPIEZA)

  • Ángela Síntesis (Gandoola and Krapoola, Certain People Berlin)

  • El Intruso (dinámica sonora, Sevilla, 2010)

  • Pol Parrhesia (alambre, maraña, instalación)

  • Luna Miguel (poetry is not dead)

  • Toño Camuñas (El sol sale para todos, murales)

  • Fede Gómez (raíces aéreas, El bosque oculto, instalación)

  • Sinquenza (Exotic Shadows, acción en fachada)

  • Pablo Rey (Valdeluz, ciudad fantasma)

  • Yan Nazca (Robé flores del parque para ti)

  • Ana Matey (seis meses)

  • Regina Fiz (Valie Abramovic Regina, performance)

  • Taka Fernández (Santa María la Ribera)

  • Marisa Caminos (punto de fuga)

  • Miz Metro (Unlimited Madrid)

  • Enric Pol (apropiación del espacio)

  • Paco Nogales (La buena María)

  • María Luisa Ortega (cuerpos filmados y filmantes)

  • Maite Dono (nube)

  • Paul Doeman (AK 47)

  • Yanira Castro (Post Pink Foot)

  • Luis García Gil (negruras)

  • Sabine Felden (situación Herz)

  • Gema Segura (LAPIEZA)

  • Francoise Rohmer (Tourves, France)

  • Danino Bozic (Pula, Croatia)

  • Agustín Hernández Aja (ETSAM)

  • Don Simón y Telefunken (escena contemporánea)

  • Orquesta Primera Luz de Día (Fiestas del 2 de Mayo)

  • Ángela Catrecini (Barcelona)

  • Sam (acción con Hectruso en Tabacalera)

  • Pérez de Lama (Congreso de Arquitectos, 2009)

  • Baldo Martínez (sons nus con Maite Dono en LAPIEZA)

  • Merilú (Bolsa de arena)

  • Meninas Cartoneras (Micronopia)

  • La Truco (bailaora, Casa Patas)

  • Salvador Rueda (Curso de Humanidades UAM, 2009)

  • Mara Berkhout (taller de ciclos con Basurama)

  • Daniel Martín Bayón (seminario estratégico CREP)

  • Remedios Heredia (bailaora, Casa Patas)

  • Ana Romero (CREP, CSIC)

  • Pedro Sánchez (CREP)

  • Javier Moscoso (CREP, CSIC)

  • Paco del Pozo y Concha Jareño (Casa Patas)

  • Jesús Vega (CREP, artefactos)

  • Carolina y Sergio (Love Love, wedding Madrid)

  • Galia Eibenschutz + Martín Lanz Landázuri (Mexico DF, 2013)

  • Juan Calvi (MUSAC León)

  • María la Coneja (castañuelas, Casa Patas)

5. External Validation Nodes (Institutional, Critical, Academic)

Biennials and International Platforms

• Contextile 2024 / Textile Talks Art (Portugal): https://contextile.pt/en/textile_talks_art_2024/

• Lagos Biennial 2024 / Participant Profile: https://lagos-biennial.org/lb-2024/2024-participants/

• RE-(T)eXhile / Textile Waste Research (Lagos): https://re-texhile.thestratum.org/lagos/

Press and Media

• The Guardian Nigeria / Environmental Implications: https://guardian.ng/art/artists-illuminate-environmental-implications-of-textile-waste-at-the-refuge/

• El País / Urban Interventions (Spain): https://elpais.com/diario/2011/09/03/viajero/1315084087_850215.html

• Kulturistra / Exhibition Review (Croatia): https://kulturistra.hr/2014/09/izlozba-ante-lloverasa-lemon-kiss-u-puli/

Cultural Institutions

• Acción Cultural Española (AC/E) / Institutional Curatorial Record: https://www.accioncultural.es/media/ebooks/Memoria2024/MemoriaACE2024.pdf

• Lapidarium Museum / Context as Readymade (Croatia): http://www.muzej-lapidarium.hr/anto-lloveras-context-as-readymade-unstable-installation-series/

Academic and Research Identification

• ORCID / Research Identification: https://orcid.org/0009-0009-9820-3319

• UAM / Post-History External Research: https://postoryuam.wordpress.com/investigadores-externos/

• Dialnet / Paper Pocket Parks (Academic Article): https://dialnet.unirioja.es/servlet/articulo?codigo=7783523

• Revista Replicante (Mexico) / Relational Theory: https://revistareplicante.com/lapieza-relational-art-series/

Performance Networks

• Redescena / "Doble Cara" Performance: https://www.redescena.net/espectaculo/40899/doble-cara

Residencies

• Nomad AIR / Relational Art Residencies: https://www.nomadair.org/2016/02/05/anto-lloveras/

• Future Utopia / Systemic Pedagogies: https://www.futureutopiacommunitykey.org/anto-lloveras/

Architectural Legacy

• COAM / Author Record & Publications: https://www.coam.org/es/fundacion/biblioteca/revista-arquitectura-coam/listado-revista-arquitectura-autores?ides=L

• MVRDV Project Archive / Mirador: https://www.mvrdv.com/projects/135/mirador

• Arquitectura Viva / Mirador Credits: https://arquitecturaviva.com/obras/edificio-mirador-madrid

• UPV Munich / Spatial Systems: https://www.mvrdv.com/projects/144/upv-munich

• US Modernist / Architectural Journal Archive: https://www.usmodernist.org/AJ/A-2005-11.pdf

• El Croquis 111 / MVRDV Monograph: https://es.scribd.com/document/421907601/El-Croquis-111-MVRDV-1997-2002-pdf

• Studio Fredrik Lund / Collaborative Research: https://studiofredriklund.blogspot.com/2015

Digital Presence and Archives

• YouTube / LAPIEZA Film Archives: https://www.youtube.com/@LAPIEZALAPIEZA/videos

• YouTube / TOMOTOFILMS: https://www.youtube.com/TOMOTOFILMS

• YouTube / TAXIDERMY at 5th Base Gallery: https://www.youtube.com/watch?v=GIfpxOM_6Ng

• YouTube / DOBLE CARA at Réplika Teatro: https://www.youtube.com/watch?v=hQHwxwjpuR0

• Cargo Collective / Visual Portfolio: https://cargocollective.com/antolloveras/

• Instagram / Visual Feed: https://www.instagram.com/antolloveras

• X / Research Updates: https://x.com/antolloveras

• Facebook / SOCIOPLASTICS Platform: https://www.facebook.com/SOCIOPLASTICS

• LinkedIn / Professional Mesh: https://es.linkedin.com/in/anto-lloveras-0012528a

• Blogger / Research Profile: https://www.blogger.com/profile/05627392793337094588

• Anto Lloveras Blog (main): https://antolloveras.blogspot.com/

Urban and Territorial Interventions

• 11 Plazas / Madrid Urban Dissensus (COAM): https://www.coam.org/media/Default%20Files/servicios/concursos/concursos_ocam/2017_propuestas/plazas/AUTORES_11plazas.pdf

• Urban Confort Madrid 2016: https://antolloveras.blogspot.com/2016/05/urban-confort-madrid-2016-llll.html

• Palacio de Carlos V / Architectural Analysis: https://antolloveras.blogspot.com/2023/06/palacio-de-carlos-v-granada-la-alhambra.html

• ARCO Madrid 2026 Guest Lounge: https://antolloveras.blogspot.com/2025/11/the-arco-madrid-2026-guest-lounge.html

• The Trole Building / Mirador Recontextualization: https://antolloveras.blogspot.com/2026/01/the-trole-building-madrid-south-white.html

• From Mirador to Relational Repair: https://antolloveras.blogspot.com/2026/01/from-mirador-to-relational-repair.html

6. Field Fixation Posts (Published February 2026)

• External Validation Nodes: https://antolloveras.blogspot.com/2026/02/external-validation-nodes.html

• This Document Delineates Not Portfolio: https://antolloveras.blogspot.com/2026/02/this-document-delineates-not-portfolio.html

• SOCIOPLASTICS Verified External Nodes (JSON-LD): https://antolloveras.blogspot.com/2026/02/socioplastics-verified-external-nodes.html

• The Persistence of Discursive Field Is: https://antolloveras.blogspot.com/2026/02/the-persistence-of-discursive-field-is.html

• The Structural Stabilization of: https://antolloveras.blogspot.com/2026/02/the-structural-stabilization-of.html

• Cross-Domain Verification as Epistemic: https://antolloveras.blogspot.com/2026/02/cross-domain-verification-as-epistemic.html

• Relational Density: https://antolloveras.blogspot.com/2026/02/relational-density.html

• Positional Essays Decadal Fixation: https://antolloveras.blogspot.com/2026/02/positional-essays-decadal-fixation-of.html

• PositionalEssays Filmed Bodies and: https://antolloveras.blogspot.com/2026/02/positionalessays-filmed-bodies-and.html

• What Makes Socioplastics Distinctive: https://antolloveras.blogspot.com/2026/02/what-makes-socioplastics-distinctive.html

• Socioplastics Epistemic Fixation of: https://antolloveras.blogspot.com/2026/02/socioplastics-epistemic-fixation-of.html

• Fixing Field After Work Has Already: https://antolloveras.blogspot.com/2026/02/fixing-field-after-work-has-already.html

• OperationalContinuity Scalar Coherence: https://antolloveras.blogspot.com/2026/02/operationalcontinuity-scalar-coherence.html

• Socioplastics Life as Unfixed Layer: https://antolloveras.blogspot.com/2026/02/socioplastics-life-as-unfixed-layer.html

• The Biopolitical Mass of Relational: https://antolloveras.blogspot.com/2026/02/the-biopolitical-mass-of-relational.html

• Memory as Infrastructure: https://antolloveras.blogspot.com/2026/02/memory-as-infrastructure.html

7. Theoretical Anchor

• 800-SOCIOPLASTICS-STRUCTURAL-STABILIZATION: https://antolloveras.blogspot.com/2026/02/any-intellectual-field-achieves.html

  • Explicitly references Lefebvre, Harvey, Castells, Jacobs, Smith, Zukin, Davis, Gottdiener, Roy, Koolhaas, Soja, Sassen, Easterling

  • Establishes thesis: fields consolidate through sedimentation, not declaration

8. Geographic Distribution

• Europe: Spain, Netherlands, Norway, Croatia, Germany, France, Portugal.

• Africa: Nigeria (Lagos Biennial)

• Latin America: Mexico, Dominican Republic, Colombia

• North America: USA (Michigan, New York, Miami)

9. Disciplinary Dispersion

• Architecture (MVRDV, COAM, ETSAM, TU Delft)

• Contemporary Art (biennials, galleries, residencies)

• Urbanism (competitions, interventions, research)

• Performance (theatre, flamenco, live arts)

• Critical Theory (academic publications, conferences)

• Pedagogy (NTNU, UAM, workshops)

• Digital Media (YouTube, social platforms, archives)

• Textile Research (Contextile, RE-(T)eXhile)

• Environmental Practice (ecological installations, waste research)

10. Verification Regimes

• Institutional records (COAM, AC/E, ORCID)

• Press coverage (El País, The Guardian Nigeria, Kulturistra)

• Academic publications (Dialnet, Revista Replicante)

• Professional networks (Redescena, Nomad AIR)

• Exhibition archives (Lapidarium Museum, Lagos Biennial)

• Digital platforms (YouTube, Cargo Collective, social media)

• Project archives (MVRDV, Arquitectura Viva, US Modernist, El Croquis)

• Peer collaboration documentation (Studio Fredrik Lund, Future Utopia)

Conclusion

The field called SOCIOPLASTICS is fixed. Twenty-five years of practice have produced:

• 800+ texts

• 300+ exhibitions and interventions

• 100+ filmed agents

• 30,000+ video cuts

• 20,000+ photographs

• 40+ external validation nodes across 9 countries and 6 disciplines

• One anchor (text 800) establishing the gravitational model

This is not a portfolio. It is a distributed verification layer. The mass is sufficient. The curvature is detectable. The next stratum—801–810 on Spanish territorial complexity—will proceed from this ground.

Lloveras, A. (2026). Any intellectual field achieves coherence not through declaration but through sedimentation. SOCIOPLASTICS. Available at: https://antolloveras.blogspot.com/2026/02/any-intellectual-field-achieves.html

790 → Infrastructural Gravitation

789 → Autonomic Synthesis

788 → Domain Stabilization

787 → Preemptive Cartography

786 → Discursive Stabilization

785 → Object Displacement

784 → Gravitational Futures

783 → Operative Epistemics

782 → Domain Naming

781 → Operator Set

It is architectural layering * Define instruments. Name terrain. Clarify epistemic stance. Project trajectory. Reframe object ontology. Stabilize discourse. Map vectors before arrival. Freeze domain boundaries. Compress system internally. Announce field surname.

790-SOCIOPLASTICS-INFRASTRUCTURAL-GRAVITATION https://antolloveras.blogspot.com/2026/02/infrastructural-gravitation-studies.html

789-SOCIOPLASTICS-AUTONOMIC-SYNTHESIS https://antolloveras.blogspot.com/2026/02/hyperdense-synthesis-autonomic.html

788-SOCIOPLASTICS-DOMAIN-STABILIZATION https://antolloveras.blogspot.com/2026/02/the-stabilization-of-infrastructural.html

787-SOCIOPLASTICS-PREEMPTIVE-CARTOGRAPHY https://antolloveras.blogspot.com/2026/02/preemptive-cartography-semantic-vectors.html

786-SOCIOPLASTICS-DISCURSIVE-STABILIZATION https://antolloveras.blogspot.com/2026/02/the-stabilization-of-discursive.html

785-SOCIOPLASTICS-OBJECT-DISPLACEMENT https://antolloveras.blogspot.com/2026/02/the-object-is-displaced-from.html

784-SOCIOPLASTICS-GRAVITATIONAL-FUTURES https://antolloveras.blogspot.com/2026/02/gravitational-futures.html

783-SOCIOPLASTICS-OPERATIVE-EPISTEMICS https://antolloveras.blogspot.com/2026/02/the-emergence-of-operative-epistemic.html

PRINCIPALS

• ANTO LLOVERAS
• PAULA LLOVERAS CAMINOS