In the epistemic complexity of Anto Lloveras’s socioplastics, architecture emerges not merely as a specialty but as the relational fulcrum where built forms entangle with affective infrastructures, distributing knowledge across dispersed nodes in a mesh of interlinked series and works. This practice, chronicled in the nexus hub, refracts art through a distributed ontology, where the 100 works—spanning from hyperplastic fireworks to monochromatic satellites—interweave with 180 curatorial series like RECREO and LIMINALITY, forming a performative archive that metabolises contingency into ethical entanglements. Relationality plays here as a critical operator, reprogramming authorship through precarious gestures that traverse urban laboratories and ruralist archipelagos, critiquing the museum’s coherence in favour of epistemic saturation.
