Showing posts with label FRUITS. Show all posts
Showing posts with label FRUITS. Show all posts

Thursday, June 22, 2023

FRESH DECAY //////// 2017__________________________1070 FICUS















IN EXHIBITION MADRID 2017
http://antolloveras.blogspot.com.es/2016/05/fruitjob-line-seriesmadrid-2016.html
FRUITJOBSAND RITUALS
**************************************
ORANGE LEMON LIME GRAPEFRUIT MANDARINE ++++++++++++++++++++++++++












SHOW #83 *****___________ 2017 ********************* FICUS





1070 FRESH DECAY """""""""""""""""""""

1071 MAYBE SPACES NOT THERE """"""""""
1072 YELLOW GUM FRUIT """"""""""""""""
1073 MEAT 230 250 """"""""""""""""""""
1074 ECO URBANISMS GREEN EXILE  """"""
1075 FAR EL INTRUSO BROWN YELLOW """""
1076 MELANCHOLIA - WHITE """""""""""""
1077 GREEN COLLATERALL SERIES + """"""
1078 STEAM + + + + + """""""""""""""""
1079 NEW MIMESIS """"""" SET""""""""""
1080 FICUS YEAR CÁDIZ MÁLAGA """""""""




Sunday, June 11, 2017

NO CREDIT SERIES ////////////// EQUILATERAL /////// MADRID 2016



The installation No Credit / Equilaterum (Madrid, 2016) materialises an unexpected economy of form by transforming trivial coins into a precise geometric structure. Built slowly over three months with change received at a fish market, the work translates the residue of daily exchange into a triangle of copper discs that hovers between sculpture, sign, and diagram. The title situates the project in a field of scarcity: the absence of credit is not portrayed as limitation but as creative principle, a refusal of surplus and a celebration of what circulates in modest, almost invisible ways. The triangle itself, equilateral and inverted, draws on archetypes of equilibrium, stability, and symbolic power. Yet its resonance is deliberately unsettled by the material: not gold, nor marble, but cheap, tarnished copper. The humble coin undermines the aura of the form, exposing the tension between abstract geometry and concrete economy. By repeating the unit until it becomes pattern, the work elevates the insignificant into a monumental presence. This piece also resists the temporality of consumption. Its construction demanded patience, accumulation and an attention to process that displaces urgency with care. “No hurry as art” becomes not only a statement of method but an ethic, proposing that value emerges through time and persistence rather than speed. Ultimately, No Credit / Equilaterum operates as socio-plastic commentary: it is both an object of contemplation and a record of circulation, an aesthetic of minimal means that renders the everyday exchange visible. By gathering small change into an exact form, the work discloses how fragility and repetition can produce unexpected strength, how scarcity can yield a new kind of monumental clarity.




THE SET IS BUILT WITH THE COINS I GET BACK AT THE FISHMARKET
TOOK THREE MONTHS TO BUILD                   NO HURRY AS ART
FISHDISH 100 //////// 2016http://antolloveras.blogspot.rs/2016/03/fish-dish-ritual-032016-madrid.html TAXIDERMY LONDON 2015 INCLUDES ALSO NO CREDIT WORKS
http://antolloveras.blogspot.rs/2015/04/taxidermy-east-london-city-is-animal.html






Monday, May 23, 2016

FRUITJOB ___________MOMENTO PLATÓ ____ LINE SERIES ___________MADRID 2016



LEMON 
ORANGE
MANDARINE
LIME 
GRAPEFRUIT





SECUENCED DECAY



MOMENTO PLATÓ MAY 2016
UNSTABLE INSTALLATION SERIES





RELATED WORKS IN SPACE

A SACO / MUCHO VALOR / POR UN TUBO


Thursday, February 19, 2015

YELLOW TO BROWN | SHRINKING APPLES - 2011 DECAY



THE 
APPLES

BUCKET FULL OF APPLES
DISPLAYED 6 MONTHS AT THE GALLERY
ART BY ANTO LLOVERAS
LAPIEZA 101 - 2011


READY 
TO JOIN THE