Socioplastics emerges not as a stylistic tendency but as a structural gambit: an attempt to reconstitute artistic practice as a regime of governance rather than a repertoire of forms. At stake is the conversion of production into protocol, exhibition into ordinance, pedagogy into transmissible statute. The architectonic ambition is explicit: a fixed Core (Decalogue 501–510), adaptive Nodes (MUSE 511–520+), and an applied metric (PlasticScale) together fabricate a self-legislating ecology. This is less manifesto than EpistemicInfrastructure, a bid to inscribe art within a calibrated field of ratios, thresholds, and executable criteria. The project reframes authorship as stewardship of a living code, an expandable constitution responsive to territorial volatility and institutional erosion. Not an oeuvre. A charter.
