Humour and free citation do not weaken a system like Socioplastics; they keep it alive. Any project that builds its own numbering, hardens its lexicon, and slowly constructs an internal architecture runs an obvious risk: that coherence may harden into solemnity, and ambition into a kind of self-mineralizing seriousness. Humour intervenes precisely at that threshold. It does not cancel rigor, but prevents rigor from becoming inert. It introduces a slight torsion inside the structure, a self-aware elasticity that allows the system to breathe while remaining exact. In that sense, humour is not decorative, nor merely a softening device. It is a methodological pressure valve. It lets a project become dense without becoming dead, ambitious without becoming unbearable, and conceptually ambitious without losing its capacity for movement, irony, or pleasure.