Socioplastics is an evolving field of situated practices where art, architecture, and epistemology converge into ephemeral architectures, performative gestures, and micro-political rituals. Works such as House and Dome and The Wood Way articulate minimal architecture as pedagogical construction and social sculpture, rejecting permanence in favor of process, dialogue, and affective redefinition of space. Fast Heartbeat and SUPERNOVA explore ecological exposure through embodied ritual, while LEMON KISS erases presence into pigment. Restoran Splendid dissolves authorship through photographic democracy, and Movements for an Unstable Symphonic Ritual fuses installation and sound into collective atmospheres. Cosmotidiano and Double Sided examine the domestic and the dual as unstable forms of planetary cohabitation. Meanwhile, Spanish Bar and LACALLE intervene in vanishing public infrastructures through sonic and spatial tactics. Across fifteen years, the socioplastic grammar developed by Lloveras resists fixity, embracing relational instability, spatial ethics, and collective presence. It is not a style, but a way of being-with. (Lloveras, A. 2010–2025) http://antolloveras.blogspot.com Socioplastics, UnstableInstallation, PortableMemory, RelationalArt, MinimalArchitecture, Ritual, ProcessArt, SocialSculpture, SiteSpecific, SpanishBar, DoubleSided, LaPieza, Urbanas, Nomadism, PublicSpace, GreenBriefcase, SubtractionSeries, TaxidermySeries, YellowBag, SituationalFixer
