miércoles, 30 de septiembre de 2015

BLACK SHOES________BLACK BAG________UNSTABLE INSTALLATION SERIES_______________________________PERFORMANCE AT GALLERY BY AFARIN SAJEDI______________DUNAJSKÁ STREDA - SLOVAKIA 09.2015






UNSTABLE INSTALLATION SERIES

ORIGIN
https://www.youtube.com/watch?v=RUK_JrYB-dI



BLACK MONOCHROME READYMADES

BROUGHT TO GALLERY FROM CITY CENTER AS UNSTABLE SET
PERFORMED BY AFARIN SAJEDI AT VERNISSAGE NIGHT


















ACTION PART OF DUNA DUNAJ - RESIDENCE, SEPT 2015
>
EXTENDED NARRATIVE
http://antolloveras.blogspot.sk/2015/09/duna-dunaj-slovakia-september-2015.html

VERNISSAGE_____________DUNAJSKÁ STREDA________________________________18.09.2015____ARTISTS IN RESIDENCE___DUNA DUNAJ








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DUNA DUNAJ
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VIKING MUSEUM_________________________BURIALS_________OSLO_________________________10.2015






the museum content is mostly black. the boats are black. the whole idea of space orbitates around the three boats. each one taking a wing of the cross shaped plan. the storytelling on the boards is simple and old. i miss some smell. some water. some songs. the idea of the viking giving honors in rituals and burials to the epic women is good concept. the boats are powerfull sculptures. the vitrines with objecs are not so great. only small heads and tools. the crosses on the walls are great. two of them. like flags of war. 








the ship burials. from the oslo fjord area. excavated between 1854 and 1904. the three ships had been at sea for several years before they were pulled ashore and used as burial ships. the dead were placed in burial chambers buil onboard the ships. the dead were buried with generous supplies, animals, and a large number of objects, both functional and decorative.










miércoles, 23 de septiembre de 2015

SLOVAKIAN LAKES__________________________________IN COLD WATER___BLUE BAGS____STONES______NO LEFTOVERS___2015






IN COLD WATER - I JUST WALK IN - I STAY UNDER WATER FOR A MINUTE



BLUE BAGS - USABLE SCULPTURE - NO FETISH



STONES - PASSION IS SHAPED BY ANCIENT MATERIALS - QUANTITY AND LOCATIONS ARE FUNDAMENTAL - SMALL SIZE IS BEST


NO LEFTOVERS - PERFORMATIVE OUTFIT - NO FAKE


ACTION PART OF DUNA DUNAJ - 
EXTENDED NARRATIVE AND CONTEXT
SPETEMBER 2015

AFFECTION AND SITUATION SERIES


miércoles, 2 de septiembre de 2015

MIMESIS___________________ STONE AND RITUAL ::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::.2015________RETROFUTURISM_________NEGRADAS...........................................................................................................................................HOUSE IS NOT A HOUSE





The idea was to generate a MIMESIS, a piece that would be as good as my old masters would have wanted it to be. I work a whole month full time with stones. The house has been untouched for a hundred years. All is old. First days i observe, then I dig the ground of the small room, half a meter down. The space is where animals used to sleep, under the livingroom. While I dig I take all the stones that are burried since the construction of the house. I save them apart. There are several big  medium and some small. I cement the floor in several layers, cutting humidity from coming up. I put several objects of memory in cement - private rituals i do all the time - some of them become art, as the LEMON RITUALothers remain private. Finally, before last layer of cement i make the piece, THE STONE BENCH, the MIMESIS, with all the stones i saved. All walls are painted white. I have a small vernissage with wine. Next day I clean up and make coffee in the morning. I wait for the best light light to take the picture of stone bench. I take some swims and read at the beach. Room is empty and looks great. My old masters did most of the work. I only make the new floor and paint all the stonewalls white. I add the bench as collaborative artwork with them. Those heroes that brought all the stones and put thousands of them together. I respect the old masters a lot. I love the tectonics, the proportions and the brutality. It is near perfection. During the days i work in paralel in the garden, where i use only small tools against the jungle that grows. I pick some roots, sticks, roof stones, clothes and cloth for the unstable installation series. ANATOMY OF DESIRE is perhaps the sweetest piece made with the strongest plant that grows everywhere and wants to be queen, and she is, but i reduce her in volume, while i eat the fruits. Thorns are very sharp. I also eat pears and apples from my trees, and throw seeds in garden. I make picture and film some actions. I do not plant lately. I only throw seeds in strategical places and wait, maybe they come, maybe not. Potential is there, all depends on the seed. I make mental lists on the infinite future works i can make in this place. The house in not a house but a scenario for PERMANENT PRIVATE PERFORMANCE.



28.08.15
MIMESIS is an extension of ÉPICA EPIDÉRMICA