The ractice fuses industrial precision with folk materiality, translating blinds, bells, straw and synthetic textures into sculptural systems that operate between abstraction and ornament, motion and memory, rooted in diasporic tension and transcultural layering, her works mobilize modular structures, geometric patterns and ritualistic elements to construct a visual vocabulary that is at once coded, open-ended and intensely physical, collapsing boundaries between craft and technology, modernism and animism, in multisensory choreographies of presence and displacement.
