From precarious threads to visionary poetics, hers is a practice where language, ecology, and insurgency weave together into a form of radical tenderness. Born of exile and shaped by resistance, her work moves across time and continents, threading ancestral memory with feminist urgency and indigenous thought. Whether through ephemeral installations, silent rituals, or political verse, she enacts a decolonial aesthetics that is as sensual as it is combative—one that refuses separation between art and life, and instead calls forth collective joy, erotic protest, and ecological mourning as intertwined gestures of survival. Her voice—visual, oral, tactile—is not illustrative but constitutive of an art that dreams, remembers, and rebels all at once.
