For more than fifteen years, Lloveras’s practice evolved from a set of conceptual trials into a life-structuring system, where each series —initially terse, numbered experiments like EXIT or FIRE—gradually mutated into vital seasons, compact blocks of lived experience that articulate how time, thought, and matter interlace; between 2015 and 2020, the framework expanded —THE WORD, ARTNATIONS, FLOCK— and what began as discrete exercises began to host durations, displacements, moods, and obsessions, turning each ten-piece cycle into a temporal vessel that absorbed more than it expressed; by 2024–2025, the method reached a state of organic maturity, where series like Cádiz, Summer, Bancal, Sverige, Lumbar, or COPOS no longer illustrated themes but condensed states of life, blending the rhythms of cities, readings, architectures and affections without seeking resolution, only notation; the series may last weeks or years, emerge singly or overlap, but each marks a shift, a subtle internal weather system that configures Lloveras’s own evolving grammar: a way of remembering, observing and assembling, in which production is not planned but recorded, not invented but inhabited; the sequence of tens is not a rule but a ritual, a unit of presence, a pulse that allows intensity without exhaustion; what began as an aesthetic strategy has become a diaristic metabolism, where art, architecture and language fuse into a modular temporality that mirrors the unstable yet attentive nature of contemporary life.
