DOUBLE SIDED is a two-channel essay, a transdisciplinary experience that blends the domestic, the sculptural, and the still life. Each movement of DOUBLE FACE is similar to the previous one, but never identical. Based on the premises of process art, it pairs with that shapeless mass that Dieter Roth transported from one museum to another. The series contains recurring elements: a standardized wardrobe, with no set design. We are the core, and there will be new elements at each location. Active conversation allows us to adjust weights and rhythms on both sides of the line that separates us. In the scene, drama is eliminated. The aim is to reduce the structure to fundamental elements. It is a derivation of minimalism. As for the performers, they are ordinary artists living extraordinary lives. The two-headed scene aims to connect with Beckett's theatre, with the American minimalism of the 1960s, with the sculptures of Erwin Wurm, and with the philosophy of Paul Preciado. The scenic installation is characterized by extreme sparseness in the use of forms and objects. The use of scenic adjectives is reduced to a minimum.
