At Palazzo Zucatto in Poreč, a week of shared work transformed the space into a field of unstable actions, small rituals repeated until they became part of the architecture itself. The daily rhythm—testing materials, lifting an arm, aligning objects, adjusting distances—generated a collaborative grammar that shaped the installation from within. Each gesture left a trace: cards moved along the wall, tools migrated across floors, and the environment responded like a slow-breathing organism. Working closely with curatorial guidance, the session became a negotiation between structure and spontaneity, an emerging vocabulary of micro-performances that defined the spatial and conceptual atmosphere of the project.
